In stead of reviewing just Logic Pro X I ‘d like to give you my personal opinion comparing the DAW ‘s I have been using over the years. I started out in 1996 on Cakewalk 5 and late Logic 5 on personal computer. Than switched to Mac in 2004 with Reason 2.5, Logic 7, 8 and 9. then I switched back to personal computer in 2015 and used Reaper, Studio One 4, and Ableton Live 9. I besides spent some years as a Live Sound engineer for a humble venue, so I learned mixing bands on hardware consoles, which surely has influenced the means I look at route and mix. thus here ‘s my comparison of Logic vs Live volt Studio One volt Reaper ! ( I left Reason out, it ‘s merely to long ago I used it. ). Workflow Sound design is a big part of my work flow. Therefore the routing possibilities of the DAW are of bang-up importance to me.

Logic Pro X There is a enormous measure of functions in the different menu ‘s available, but in the key commands window there are even more. It means you can do anything, but you will have a hard clock memorising cardinal commands. many key-commands use more than one modifier. How about Ctrl + Alt + CMD + Backspace for resetting track soar ! ? sol in practice I find myself using only a few of them and using Apple Notes to create a list of my favorites. Routing in logic is simple and slowly to work with if you ‘re used to hardware mixing consoles. It is probably besides the most restricted compared to the other DAW ‘s. Ableton Live Live has only a few functions compared to Logic, but I found this simplicity to be very drug user friendly and powerful. Assigning key-commands and MIDI controllers works the same in Live and I love that, but some functions plainly can not be accessed via Key-Commands and that will slow you down. Live ‘s Instrument Rack is dim-witted to use and madly herculean. I actually love how you can use them to create paralel effects chains without creating supernumerary sends and returns. That ‘s great for sounddesign. Live ‘s tracks can take their input from anywhere and send their output anywhere. It ‘s mighty and you abruptly wonder why other DAW ‘s position then many restrictions on routing. You could say Live is less a virtual hardware studio than Logic and Studio One, which allows Live to use different and in the software domain sometimes more childlike solutions. If you like Push, which personally did not win me over, then nothing beats Ableton Live. This degree of integration between software and hardware is only equaled by native Instruments ‘ Maschine, ampere far as I know. Studio One Like Logic, there are many functions and many key commands to memorise, they are fewer and easier, though. Studio One surprised me with the way tracks, instruments and mixer channels are managed more individually than they are in other DAW ‘s. I found that confusing, but I love how you can create complex instrument and effects routings within the track. this allows for paralel work without creating extra sends and retort tracks, a lot like Live ‘s Instruments Rack, although it works quite differently. Studio One has a alone project Page where you master your tracks. It has a nice work flow that is is identical useful even when you ‘re not using Studio One to record and mix your tracks. It is a bite like the now abolish Waveburner application that used to be function of Logic Studio. Reaper This software has so many commands an indeed many options for customising I found myself constantly getting lost and wasting hours configuring Reaper rather of making music. The sociable has across-the-board routing possibilities, but I had a hard prison term understanding them, though. To me it did not feel intuitive. The achiever in this category is Ableton Live. Plugins Logic Pro X In my opinion, the are the best of the DAW ‘s I compare hera. Great sounding and easy to use. If you do n’t own a bunch together of plugins already and will be depending heavily on software instruments then I ‘d say Logic is the way to go. But you just might want to check out Reason angstrom well … I do not like the redesign UI ‘s ( exploiter interface ; layout of buttons, sliders etc on the screen ) of the older plugins, though : their default sizes differ besides much and Apple has chosen to emulate hardware UI ‘s. In my opinion a hardware like interface does not always work well on screen. The more abstract translation 9 UI of the compressor felt easier to use to me. Ableton Live The instrument plugins good approve, but I never find the presets inspiring. I besides think they are presented to small, making them fiddly to operate. The effects are capital. Easy to operate and easy to chain up fro creative sound design. Studio One The build up in effects plugins sound decent and they look in truth courteous. quite simple but very easy to use. I did not like the instruments that come with Studio One. The winner in this category is logic Pro X for instruments, but Ableton Live for effects. Sounds/Library

Logic Pro X Logic has an amazing sound library. Both sum and timbre are simply stunning. Ableton Live I personally do n’t like the Ableton factory sounds, but I find the browser very nice. Studio One There are some decent vengeance sound samples, but most presets are precisely not very good. I barely always used the build in instruments. Reaper Forget it. You ‘ll need to get your hands on some serious software instruments, unless of course, you ‘re using harvester as an audio recorder. The achiever in this category is logic Pro X. Value for Money / Who is it for? Logic Pro X Logic is in truth is laughably cheap, considering all it has to offer. The Alchemy synth alone is worth the ask price, so for me value for money is the best. If you do have a Mac, but do n’t own any plugins ? It ‘s a no brainer. Logic is bang-up for producers, songwriters, bands and film score composers. But DJ ‘s in truth need to check out Live vitamin a well. Ableton Live Ableton Live may be what you need if you ‘re a DJ / producer, but I can not say it ‘s cheap. I always have been using the Studio version because I did not find the supernumerary devices and sounds you get with Suite that compel, but evening the Studio version is about twice arsenic expensive as Logic. Studio One More geared to the songwriter / recording type it ‘s the alternate to Logic on the personal computer, I think. But on personal computer I ‘d surely would suggest looking at Steinberg ‘s Cubase equally well. Reaper If you already own a bunch of great plugins, harvester is a brassy and brawny solution. besides, not getting any sounds with it that you do n’t need might be an advantage. It has by far the smallest footprint ( meaning the application files do n’t take up much space on your drive and in memory ) so it ‘s the fastest to start up and I must say it is rock solid. If you want to record on placement on a laptop with a small SSD or a dense HDD drive than you might even buy Reaper good for the one occasion. There ‘s no winner in this class, it just depends on your personal preferences besides much. Conclusion After working for some months with Logic Pro X I have found myself lento replacing the bundle plugins with 3rd party stuff. Like Fabfilters ‘ equivalent, compression and reverb plugins, or Arturia ‘s V Collection, or Samples from Mars ‘ brake drum libraries. The quality of Logic ‘s bunch stuff seems not to have been progressing with clock as it should. Maybe my tastes are changing, I dunno. I started using Ableton Live again. I still think it ‘s the fastest to work with. It ‘s easy. The route is amazingly flexible. I still do n’t like the instruments, but the drumrack and dim-witted are courteous. The effects are childlike but flexible. The automation system is great. To me, in the end, Ableton Live is the achiever. I barely hope that with version 11 everything becomes excessively complicated all of a sudden … Advice

If you did not make your option of DAW so far, show everything. That will be a problem with Logic because there is no demonstration version, but you can try Garageband. Read the manuals. number out what stuff does and watch all the lovely youtubers … When you ‘ve made up your heed to buy a certain DAW keep this in mind : most studio hardware like audio Interfaces and MIDI controllers come with luminosity versions of at least one DAW, so if you ‘re starting out you might find a dear deal that way. You might besides look out for a crossgrade deal, these are much not advertised american samoa much as normal discounts, sol dig around the webstore and compair prices. last but not least, if money ‘s tight, signup for newsletters and keep an eye out for end-of-year sales .Read Review

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